#Brownie camera screen lights vintage professional#

It also would have slightly reduced the amount of light reaching the lens and so reducing the risk of over-exposure with the bright light frequently encountered on summer beaches. Tiffany Style Stained Glass Resin Arc Floor Lamp, Antique Wine Cabinet. This would have been ideal for beach photography (which surely would have been one of the main uses of this camera) as the use of this filter would have helped the surf to standout from the sea, clouds to stand out from the sky. Limoges France, Mitterteich Bavaria Mystic Rose Fine China, Vintage Story. Pulling the slide to the left (again, as when looking at the lens) moves a pale yellow filter into place behind the lens. This gives a focal range from four feet to seven feet and is intended for portraits – it is labelled ‘close-up’.

Pulling this slide to the right (as when looking at the lens) moves an additional lens element into place behind the main lens. The central element is merely a hole which has no effect on anything – this is the normal way to use this camera. Surprisingly they actually work in a similar way to their Box Brownie ancestor.

#Brownie camera screen lights vintage professional#

Behind the lens is a slide with three elements. Panasonic launched the first popular mirrorless camera, the Lumix DMC-G1, back in 2008 and in recent years they have quickly become one of the most popular systems for professional and amateurs alike.

This is a single element meniscus lens which has a depth of field of around seven feet to infinity. Export Version BROWNIE Special 127 Camera 1939 - 127 No. Below this is the lens which is labelled as a ‘Kodak’ lens. This gives a rather small, square image of the view. There is no double exposure control here – you can take as many exposures as you like on one frame.Īt the front of the Cora, at the top, is the viewfinder window. Also on the top is the shutter release button.